Mario Testino ‘honoured’

to present Turner Prize 2011

Celebrity fashion photographer

Mario Testino will present The Turner

Prize in   Gateshead next month.

Mario Testino to be awarded the inaugural Moët & Chandon Étoile award

Mario Testino will present the Turner Prize 2011;

ABOVE: the photographer with supermodel Kate Moss Photo: REUTERS

By Florence Waters 11:31AM GMT 14 Nov 2011

http://www.telegraph.co.uk/culture/art/turner-prize/8888480/Mario-Testino-honoured-to-present-Turner-Prize-2011.html

Turner Prize 2001

 

‘I think people can make of it what they like. I don’t think it is for me to explain it. I mean I like it you know. For me it’s full of life, but I don’t know what other people might make of it and I don’t think it’s for me to tell people what to think.’

– Martin Creed quoted in BBC News, December 2001

‘Take a bare white room with a light switching on and off and what have you got? A Turner Prize winner.’

– Tom Parry, The Mirror, December 2001

‘He wanted to get the biggest effect with the least effort. It’s the dis-proportion between the effort and the effect.’

– Germaine Greer, Newsnight Review, December 2001

Martin Creed's installation for the 2001 Turner Prize

Martin Creed’s installation for the 2001 Turner Prize
© Photo: Tate Photography

Shortlist:

Jury:

  • Patricia Bickers, Editor, Art Monthly
  • Stuart Evans, representative of the Patrons of New Art
  • Robert Storr, Senior Curator, Painting and Sculpture, The Museum of Modern Art, New York
  • Jonathan Watkins, Director, Ikon Gallery, Birmingham
  • Nicholas Serota, Director, Tate

In a way this was the year the media had been waiting for, Creed’s conceptualism raises the question: ‘what is art?’

Media coverage became increasingly disgruntled as the Prize seemed to have become a victim of its own success. This year’s shortlist was seen as ‘obscure’ while a number of critics felt that the Prize had reached a plateau. There was a demand for less elitism in the selection process, less ‘conceptual art’ and an attack was launched on the ‘art-world’ language used to contextualise the exhibition. Awarding the prize to Martin Creed for Work No.227: The lights going on and off only fuelled this sense of agitation. The choice of Madonna as presenter of the award was criticised as a cynical marketing strategy.

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